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Professional black-and-white photo of a long-haired and bearded man smiling widely as he plays an electric bass guitar on a stage. He wears glasses, denim overalls over a white t-shirt, and leans back into the bass groove he's playing.

Creating a music community on the isthmus with “Evan’s style”

Musician and arts organizer Evan Fernandez discusses the importance of managing the HQ practice space for local bands and his own ensemble, The Porch Flowers.
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Madison’s fiercely independent voice on culture and politics.

Our journalist-owned, reader-supported publication highlights the neglected corners of Madison’s cultural landscape, elevates vital viewpoints from the left, and pulls off ambitious reporting projects. We champion things we love, but we also ask annoying questions and throw the occasional brick.

Latest in Music
Professional black-and-white photo of a long-haired and bearded man smiling widely as he plays an electric bass guitar on a stage. He wears glasses, denim overalls over a white t-shirt, and leans back into the bass groove he's playing.
Creating a music community on the isthmus with “Evan’s style”
Musician and arts organizer Evan Fernandez discusses the importance of managing the HQ practice space for local bands and his own ensemble, The Porch Flowers.
A custom collage graphic shows a cork bulletin board with five Polaroid-type photos pinned to it in two horizontal rows. Each Polaroid image represents a song or album cover art from a Madison band. The title of "RELEASE RADAR" appears above the board in a large, brown, outline lettering.
Madison acts rivetingly ring in 2026
Five local bands offer new songs and projects, and capture a hopeful feeling in the new year.
The members of Crush Scene and two-thirds of Holly And The Nice Lions all stand on a vineyard path at The Vines in Sauk City, WI. From left to right: Holly Trasti, Travis Pashek, Rachael Guertin, Janet Kolterman, Tasha Spencer, and Madalyn Rowell. Guertin and Pashek have their backs turned to the camera, admiring the sweeping view. The remaining subjects are all pointing directly at the camera and smiling.
Achieving a broader focus through music photojournalism in 2025
The fourth installment of our live music photo essay series centers a more personal vantage point.
Latest in Film
Still from the videopoem "Limerent Pittsburgh" shows a public transit view of a yellow arch of the Roberto Clemente Bridge with skyscrapers and signs of Pittsburgh in the distance, including the massive PPG building, which resembles a cathedral.
“Limerent Pittsburgh” intricately constructs a folkloric affection of place
Artist Anne Ciecko’s 2025 videopoem is a highlight among the 30 selections of this year’s Midwest Video Poetry Fest at ALL on April 4.
Production photo from the Western "Stagecoach" shows three characters clutching each other's hands and arms. An older man with a moustache and dark cowboy hat stands at the left; a younger, clean-shaven man with a lighter cowboy hat stands taller in the center; and a shorter woman with curly hair stands to the right. They all look off into the distance to the left with neutral expressions.
Lea Jacobs sheds new light on an old master in “John Ford At Work”
The UW Professor Emeritus’ new book on the storied American director coincides with a five-film UW Cinematheque series this spring.
Still frame taken from the experimental documentary "The Phalanx" shows a person looking out the window of a historical house in Ripon, Wisconsin. They wear a long-sleeve shirt, and their back is to the camera. The camera is positioned in the door frame of an adjacent room, as if peeking in on them.
Inspiriting radical communal aspirations: an interview with Ben Balcom on “The Phalanx”
The Milwaukee filmmaker’s latest experimental short premieres locally at the Chazen Museum during the 2026 Wisconsin Film Festival on April 12.